Hello Writing, My Old Friend

Why do I want to write? Why do I think I can write? What do I want to write?

I went there to find answers; I was received by more questions.

At the Creative Writing class, the facilitator gently observed that I should have discovered and embraced the answers by now. A decade ago, when I quit a comfortable corporate job, which was a world away from writing, to start writing for newspapers, the same questions waylaid me. My answers then were like Chennai’s summer — certain, harsh, and burned with passion. After a stint in media, and after living a life that demanded more of everything I had, I returned to the corporate a couple of years ago. Although I am actively involved in Communications at work, it’s still several worlds away from writing. And now, my answers to the same set of questions resemble Chennai’s winter — unsure, tepid, and coy.

The writing exercises I do for the class make me sit with the questions more. Sometimes, I squirm in the questions’ authoritative presence. Sometimes, I look at them the way I look at the night sky when the stars hide behind the clouds, when the light from the city smugly light up the clouds, mistaking the pollution it brings for brightness, and not knowing the long travel the starlight makes to land on the clouds. I look at the hazy, starless night sky and hope for a chink, a star from many light years away to wink at me, to recognise my agony. Why do I want to write?

For fame? For money? For joy? To feel special? To seek attention? To find a place? No and no and no. The compulsion, I feel, to write stems from the excess that fills me and spills over, flooding all areas of my life and threatening to drown me. I write because I want to come up for air. That excess struggles along with me, too, not knowing what to do with me – it hands me feelings which are not mine, it plants thoughts which abundantly reproduce more thoughts, like the snails in my mother’s garden. That excess, the thoughts and feelings and ideas, alighting from the books, needs to be redirected to a sea – this white space that is inviting and intimidating in equal measure.

I want to write because I want to play God, too. I want to invent people, be a fly on their walls, and truly know them. I want to be my own God. In the stories I dream to write, I want to give myself the voice I never had and the courage I wish I had. I want to confess and lace the truth – my truth –with some poetry and magic. I want to write my own safe space.

This is the difference between the time I started in 2011 and the road I am taking now: Paycheck and the thrill of scoring bylines do not hold the power to corrupt my potential. Ten years ago, even when I tried to run as fast as my peers, it didn’t seem enough. Against their multiple degrees from fancy universities, against their childhood stories about camping at libraries and devouring books even before they were tall enough to go on rides at theme parks, against their privileged lives which were removed from the squalid reality of this country, I stood no chance. My middle-class upbringing, while I am deeply grateful for what I had, did not prepare me for the unfairness of the industry I entered, and it did not equip me with the skill that I could have only afforded if I had had socioeconomic privileges. It was easy for me to chide my restless heart, like every other time, for I thought, it pined for something that was beyond my reach. It has taken many years for me to meet the ultimate truth – nothing was wrong with me, but the system was rigged.

The Creative Writing course covers important aspects of fiction writing. It intends to encourage me to aspire to become a published something. I still do not know what I want to write. Essays, short stories, blogs, I do not know. I want to write because I receive more than I need, from books, people, and life. I want to return the excess; I want to give back some words, some stories; I want to cut it all into a million pieces and leave them here. I cannot decide for the reader. The reader can pick a piece, turn it, read it, and drop it down again mindlessly. Or, the reader can take one home, and let it lie in a corner, collecting dust. I do not deserve the reader’s time and attention; I am devoid of that delusion.

4 thoughts on “Hello Writing, My Old Friend

  1. I can understand why you ask yourself the questions but do they really need to be answered? Perhaps that’s necessary to work in a corporate/journalism setting, but many of the most interesting writers don’t get anywhere near a MFA and all too many writers who do have impeccable credentials from places like the Iowa Writers Workshop, etc. sound exactly like that’s where they come from. Wide and extensive reading, imagination, the urge to write, and the discipline to do it, just might be what really matters.

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    1. Thank you, again, Julé. I needed to read the thoughts you have shared, and I love the list of things you have recommended. I was on a long road to find what I wanted to read, and now I feel like I have got some clarity. From now, I intend to do more of what you have mentioned — reading, practising, and being disciplined.

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      1. Honestly, I think you have the right instincts and will do fine listening to yourself. My suggestions come from reading/listening to so many author interviews and usually no matter what they write, the details of how they write, etc. it comes down to ‘read and just do it’. Though part of what helps when reading widely is they figure out what they like and why, and what doesn’t work and why.

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